Here is a brief post describing some ideas for editing Fuji files in Lightroom. I have included Nik pack plugins too. Sometimes a little colour works well for street photography as demonstrated by this lovely lady. Here she was decked out in matching red sandals and spotty bag, pulling along her little dog while pushing a giant pram. Shot with Fuji X100 with the brilliant 23mm lens, stopped down.
So first we have the out of camera Jpg file imported into Lightroom with no adjustments. Looks fine to me but lacks a little impact and contrast which reflects the gloomy light in which it was taken.
Next I opened Analogue Effects pro plugin, adjusted detail, contrast and saturation sliders in camera 3, included a little grain, turned off scratches etc then added a little spot adjustment in her face area. The resulting image was saved back into Lightroom. For me this image seems to be a reasonable representation of a 1970’s Kodak analogue snap.
Despite my belief that colour works best for this image, in the interests of black and white fanatics I next edited the original jpg file in Silver Effects Pro. I used high contrast smooth camera setting, added detail and a little brightness using sliders, increased white and improved tonality using curves. Then again I used the spot adjustment to add detail to her face and scarf. The vignette was already quite sufficient in this setting.
Nevertheless being a Lightroom aficionado I usually prefer to edit my own images rather than relying on others interpretation of the scene I shot. So my normal workflow is to reduce exposure slightly, add a little contrast and adjust white and black sliders, then highlights and shadows. For this image I decreased clarity, added a touch vibrance and a little saturation. Then added two gradient layers in top left and right adding some exposure and a tad saturation. Next I used the adjustment brush to add some exposure to her face, some clarity and improved skin tone a little. Finally I added some grain and a little vignette. The final image looks pretty strong and I like how the red tones in her bag attract attention. Comments welcome!
Anyone who believes wedding photographers have it easy better think again. Last weekend as a wedding guest I took my Fuji XE2 along, with XF 60mm attached and for lower light, the XF35mm 1.4 in my pocket. The official wedding photographer had two huge camera bags with bodies and lenses bulging out. He arrived early to shoot guests as they came into the wonderful arena at 1.0pm and left at 4.0am the next morning having shot around 3000 frames. Our conversation went like this. ” Oh, for Goodness sake, what’s happened to the light, O bloody hell, I will have to change this lens, Oh Blimey, which is the brides Dad? where have they all gone now, Ahhh. ? ” and so on. It was a wonderful overcast start to the day, saturated light but plenty of it. No shadows all straightforward metering. Then the harsh sun broke though, reflections off the lake where the ceremony was being held, white bridesmaid dresses, Ah, I could see him sweating. He is kneeling down on the wet boardwalk as the bride arrives. Sun goes in, his shutter is chattering. I guess he knows only his first shot will be in focus and properly exposed. Later we discuss how he can martial 150 guests for a group shot and where he can stand to capture the shot. Next, one huge marquee .. how do you get a decent white balance in there when the sun is in and out like a yoyo? Two hours of food and speeches. He never stops ! By now kids are all over the place, the adults are several fizz, pimms and vin rouge the worse for wear. The place is chaos. We have quick word about Fuji cameras and tracking moving subjects. Light has gone and so has everyone else, down to the dance tent with two fire pits burning, strobe lights flashing spots gleaming. And so it continues while our photographer, who by now, has thrown in his lot with the rest of us flashes off random shots while dancing to Sex Machine.
In contrast I took 140 frames all jpgs, every one was beautifully exposed even with the varying light conditions. The XF60mm lens performed flawlessly, never hunted for focus and all the shots were amazingly clean and sharp. Later on I switched to the XF35mm, let the camera do it’s own thing and again all my images were bang on. Here are a few of my favourite shots processed in Lightroom 6 .